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Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
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Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.ĭigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.Ĭlick here to see more titles from these independent creators and to learn more about SMP Press. This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. An effective piece for weddings or funerals alike.
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The frequent, subtle shifts in dynamics make it a very engaging piece for audiences and also means it's a great piece for students learning how to handle such stop changes.
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The piece unfolds into a series of wonderful melodic episodes which are a great vehicle for demonstrating different solo sounds on a medium to large sized instrument - but it will also work very effectively with more modest resources. Published by Molto rubato (H0.925343-SC001010826).Ī lovely, engaging piece to play for your own enjoyment or as a contemporary and engaging item in recitals or services. Sakamoto adds that he was after strange sounds to underscore the social and emotional tension depicted in the film.Organ - Intermediate - Digital Download By Ryuichi Sakamoto. "I recorded those woodwind sounds in my private studio, sampled them, and used them. "I called some woodwind players who I worked with for the opera,, and asked them to play a lot of double drone, triple drone things, and strange harmonics," he says. But though Sakamoto says he hopes to record an album using gagaku instruments in the future, most of the sounds on the "Gohatto" soundtrack come from standard woodwinds. Some pieces actually evoke the otherworldly clangor of gagaku, the music of the Japanese Imperial Court. "It takes place at the end of the Edo era, before the Meiji restoration. "It's kind of a samurai movie," he says of the film. Lawrence." Not only did Sakamoto score the film, but he also starred as a stern Japanese prison camp commandant who engages in a war of wills with a British officer played by David Bowie.įor "Gohatto," Sakamoto says he opted for an unusual instrumental palette in part to evoke the sound of feudal Japan. Sakamoto has worked with Oshima before, on the World War II prison camp drama, "Merry Christmas, Mr. "But I also used a lot of unusual sounds." "This is film music, so I've written a theme, which is repeatedly played throughout the film," he says. If so, that would explain why Sakamoto's latest Japanese album, the soundtrack to Nagisa Oshima's film "Gohatto," was such a success over there. "Maybe ears are changing," muses Sakamoto. "I thought it wouldn't sound 'pop' to regular Japanese people." But Dragon Ash was hugely popular in Japan last year, thanks to such hits as "Let Yourself Go, Let Myself Go."
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"The first time I listened to Dragon Ash, I immediately liked what I heard, but I never thought it would be a hit," he says. He cites Dragon Ash - a group that fuses hip-hop and rock into a uniquely Japanese sound - as an example. "I don't follow the Japanese pop market continuously, but the last couple of years, it has been changing," he says. Not so much because listeners are buying his recordings, but because the Japanese audience seems to be increasingly interested in music that doesn't play to the most predictable tastes. Still, that unexpected success has helped Sakamoto feel better about the Japanese pop market. So it's not the biggest reason for that." "I mean, many singles are played on TV, in dramas and commercials. But as Sakamoto points out, that in itself is not enough to make a record a chart-topper.
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But nobody knows the reason." It probably helped that the tune was used as background music for a TV commercial - a common practice with pop singles in Japan. "I was really surprised and shocked that my instrumental track got to No.